Lavin,Irving.Bernini and the unity of visual arts

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Annotated bibliography on Bernini’s Ecstasy of St. Teresa


Lavin,Irving.Bernini and the unity of visual arts,New York,Oxford University Press,1980

The book illustrates vividly the extent of visual impression that Bernini created through the sculptor. In critical analysis, the book portrays Teresa was as a prostitute. He presents a divergent idea in as far as the spiritual lifestyle of the 17th century catholic community is concerned. In fact, the work is emphatic on the creativity and philosophical reconciliation of St. Teresa’s ecstasy and Bernini’s mission. The vision of St. Teresa is pointed as spiritual but expressed in a physical form. The overall application of various elements of art to explain the theme of the sculptor is clearly captured. Besides, according to the book, the Ecstasy of Teresa is not being considered as merely sculpture, but rather a complete environment. It has also emphasized on the design and the construction of the entire chapel which has seen the successful creation of a veritable stage set up as whole with sculptured audience members.

Petersson,Robert T.The art of ectasy;Bernini,and Crashaw,New York,Atheneum,1970

Here, sculptor is clearly presented as an epitome of fine art. It is undoubted that here, Bernini stands out in defining the era of Baroque art. The ecstasy of St. Teresa is well presented with the presence of an angel to emphasize the spiritual nourishment. The book dwells majorly on the art work, Ecstasy of St. Teresa in regard to the underlying power of art to transform the society. The art work of Ecstasy of St. Teresa is majorly used to express the intensity of internal joy upon interaction with God. The sculptor popularized Bernini but mostly importantly portrayed catholic as a community of love and beauty. The description of the sculptor is in a direct way such that it simplifies its interpretation close to the purpose for which it was created. From the book, even though quite a good number of insisted that Bernini could not perhaps have not intended to pursue the actual subject on the art work, Ecstasy of St. Teresa, with curtained historical energies, but in the real sense, the concupiscent purposes of the art works are undoubtedly unmistakable.

Avery,Charles. Bernini: the sculptor of the Roman Baroque.London,Phaidon press.1997.

In this entry, the sculptor is captured as evidently portraying the unique ideas that transcend Catholic culture and the experience of Saints. It also offers an in-depth explanation into the underlying facts surrounding the ingenuity of the art work, Ecstasy of St. Teresa. Although many people are torn between interpretation of the sculptor as either secular or religious, but the presented sculpture or the art work is emphatic on the spiritual aspect of objects. The sculptor is also presented as part of the effort to illuminate the inexplicable imagined experience of St. Teresa. Centrality of Catholicism in Europe is an important focal point of the art work as the critical description of the sculptor unravels the religious symbolism that characterizes the internal layout of the chapel. The used or presented art work, Ecstasy of St. Teresa, is preoccupied with advent of the Catholic cultures, emergence of reformists and chronology of doctrinal development. Besides, captured art work on Ecstasy of St. Teresa is closely associated with the era of Baroque art as a reflection of creativity that Bernini possessed. The work is informative and well-researched to provide reliable learning material.

Michael J.Call, “Boxing Teresa:The counter-Reformation and Bernini’s Cornaro Chapel” Woman’s Art Journal,Vol.18,No.1 (Spring-Summer,1997),pp.34-39

The Ecstasy of St. Teresa, as an art work, is presented to have clearly described in a nutshell the history of Catholic and its underlying spiritual aspects has elicited mixed debate on the growth and the development of the catholic church. The piece therefore begins by giving a succinct insight into the underlying philosophical explanation that relates catholic art with the catholic religion cultures. The Ecstasy of St. Teresa being part of tremendous art works, is one of the major contributions in Baroque art is conspicuous. Besides, the Ecstasy of St. Teresa as in the history of the catholic church is seen as a special prowess in the knowledge of Catholic religious system and chronology of events leading up to reformist movement.  However, the Ecstasy of St. Teresa emphasizes on the life of Bernini as would be clearly witnessed in the sculptor. Under the Ecstasy of St. Teresa as a topic, the confusion between physical orgasm and spiritual ecstasy is clearly addressed in the book. While the work is emphatic on the spiritual feelings of St Teresa, the aesthetic value of this set piece of art cannot be hidden. Additionally, Ecstasy of St. Teresa also tries to emphasize on the cultural intersection with Catholicism as an important concept of the religion. The Ecstasy of St. Teresa has also exhaustively explored the existing relationship between Bernini’s Cornaro chapels as well as the counter-reformation ideology. The book can therefore be justified as a useful, reliable, and valid academic resource.

Warma,Susanne.”Ecstasy and vision:two concepts connected with Bernini’s Teresa.” Art Bulletin,September 1984,Vol.66,p508-511,

According to the Ecstasy of St. Teresa, Ecstasy is a symbol of extreme excitement. In fact this can be clearly seen from the sculpture whereby, Teresa’s dress is getting ready to infiltrate through its arrow. At this instant, the saint can be spotted through her head back with a sharp expression of ecstasy. In fact, Ecstasy of St. Teresa reviews the 17th century art through the lense of Bernini’s work.  Interplay between ecstasy and vision is overwhelmingly captured. In fact it centers on the systematic explanation regarding the connection between ecstasy and vision as reflected in the St. Teresa’s sculptor. The presence of an angel is a confirmation of a spiritual vision that has since been associated with the experience of St. Teresa. As a topic, Ecstasy of St. Teresa presents the use of art as a tool as a means of advancing spiritual issues is the message. Throughout the book, Ecstasy of St. Teresa, Bernini owns the Baroque principles including theatricality, emotions, drama to different unknown levels.



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