The Berlin Wall from a visual perspective: comments on the construction of a political media icon

The article uses the berlin wall to emphasize the underlying meaning of “icon”. Media has been influential in determining what is Iconic or otherwise. The interconnection between media forms explains their increasing influence on the societal way of thinking. Mostly importantly, images, sculptors, photographs, and such other objects like Berlin wall stand to commemorate important events that define the history of the world. In that respect, they earn the “Iconic” title. Political events are always characterized by phenomenal experiences that remain glued in the social fabric of the people. As such “Icon” is a definition that denotes a memorable personality or objects that represent a given era. For instance, the berlin wall is an Icon as it illuminates the bitter separation of German families for a decade. Besides, it marked the climax of Cold War.

The visual presentation provokes imaginations of the past and that gives media power to dictate perception. The article emphasizes blending media with politics to elevate an object, or an individual to “Icon” status. In fact, Icons are associated with specific dates and they provoke nostalgia among old generation while eliciting imagination of the young people as far as world history is concerned. It is fascinating to read about the complex political undertones that are associated with the Iconic Berlin wall. However, questions can be asked in the article to explore the political forces that led to the emergence of Berlin Wall as an Icon. Politicization of pictures promote them to become symbol of an era hence qualify as “Icon”.

In relation to the political mysterious and controversies that Berlin Wall represent, this question can be asked;

 

Was the Berlin Wall a political convenience for Western democracies more than their freedom rhetoric suggested?

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